
Testify by Byron Stingily - Kerri's Dub
- BPM
- 127
- Open Key
- 6m
- Energy
- 70/100
- Pop
- 7/100
- Length
- 9:20
- Released
- 2007
- Album
- Kerri Chandler's Nervous Tracks
- Genre
- Deep House
- Loudness
- -9.7 dB
- ISRC
- USNRS0621119
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Testify by Byron Stingily - Kerri's Club Mixversion3A · 127
Testify by Byron Stingily - Kerri's Dub runs 127 BPM in A♭ minor (1A), a peak-time tempo deep house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Brighter than 92% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 90% of Kerri Chandler's catalogue
- Reach:
- better known than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Testify by Byron Stingily - Kerri's Dub in?
Testify by Byron Stingily - Kerri's Dub by Kerri Chandler is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Testify by Byron Stingily - Kerri's Dub?
Testify by Byron Stingily - Kerri's Dub runs at 127 BPM, a peak-time tempo track.
What mixes well with Testify by Byron Stingily - Kerri's Dub?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Testify by Byron Stingily - Kerri's Dub good for peak time?
With energy 70 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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