Testify by Byron Stingily - Kerri's Dub by Kerri Chandler cover art

Testify by Byron Stingily - Kerri's Dub

Kerri Chandler

Key
1A · A♭ minor
BPM
127
Open Key
6m
Energy
70/100
Pop
7/100
Length
9:20
Released
2007
Album
Kerri Chandler's Nervous Tracks
Genre
Deep House
Loudness
-9.7 dB
ISRC
USNRS0621119

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Testify by Byron Stingily - Kerri's Dub runs 127 BPM in A♭ minor (1A), a peak-time tempo deep house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Brighter than 92% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.

Tempo:
faster than 90% of Kerri Chandler's catalogue
Reach:
better known than 77% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood88Bright
Groove78
Acoustic1
Instrumental85
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Testify by Byron Stingily - Kerri's Dub in?

Testify by Byron Stingily - Kerri's Dub by Kerri Chandler is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Testify by Byron Stingily - Kerri's Dub?

Testify by Byron Stingily - Kerri's Dub runs at 127 BPM, a peak-time tempo track.

What mixes well with Testify by Byron Stingily - Kerri's Dub?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Testify by Byron Stingily - Kerri's Dub good for peak time?

With energy 70 out of 100 at 127 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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