Jellyfish on Acid
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 18/100
- Length
- 6:44
- Released
- 2024
- Genre
- Minimal
- Loudness
- -13.0 dB
- Dynamics
- 10.3 dB
- ISRC
- GB7NR2461071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in C major (8B), Jellyfish on Acid is a peak-time tempo minimal production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 98% of Acid Pauli's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 83% of Acid Pauli's catalogue
- Energy:
- hotter than 80% of Acid Pauli's catalogue
- Reach:
- better known than 78% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 58%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Jellyfish on Acid in?
Jellyfish on Acid by Acid Pauli is in C major, or 8B on the Camelot wheel.
What BPM is Jellyfish on Acid?
Jellyfish on Acid runs at 127 BPM, a peak-time tempo track.
What mixes well with Jellyfish on Acid?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Jellyfish on Acid good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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