They Call Me Shorty - Acid Pauli Short Remix by Acid Pauli cover art

They Call Me Shorty - Acid Pauli Short Remix

Acid Pauli

Key
1A · A♭ minor
BPM
128
Open Key
6m
Energy
50/100
Pop
9/100
Length
5:42
Released
2023
Album
They Call Me Shorty (Acid Pauli Short Remix)
Genre
Minimal
Loudness
-11.1 dB
ISRC
DEM092300032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

They Call Me Shorty - Acid Pauli Short Remix is a peak-time tempo minimal track in A♭ minor (1A) at 128 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Brighter than 83% of Acid Pauli's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood63Balanced
Groove82
Acoustic42
Instrumental82
Live9
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is They Call Me Shorty - Acid Pauli Short Remix in?

They Call Me Shorty - Acid Pauli Short Remix by Acid Pauli is in A♭ minor, or 1A on the Camelot wheel.

What BPM is They Call Me Shorty - Acid Pauli Short Remix?

They Call Me Shorty - Acid Pauli Short Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with They Call Me Shorty - Acid Pauli Short Remix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is They Call Me Shorty - Acid Pauli Short Remix good for peak time?

With energy 50 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from Acid Pauli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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