Tokyo Dub - Jerome Sydenham Special Edit
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 50/100
- Pop
- 1/100
- Length
- 5:18
- Released
- 2001
- Album
- Tokyo Dub
- Genre
- Deep House
- Loudness
- -10.0 dB
- Dynamics
- 11.2 dB
- ISRC
- USPXA1800012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tokyo Dubversion11A · 126
- Tokyo Dub - Original Mix 2version11A · 126
At 128 BPM in F♯ minor (11A), Tokyo Dub - Jerome Sydenham Special Edit is a peak-time tempo deep house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2001 production that still circulates in sets. Faster than 96% of Kerri Chandler's catalogue.
- Energy:
- calmer than 93% of Kerri Chandler's catalogue
- Brightness:
- brighter than 83% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Tokyo Dub - Jerome Sydenham Special Edit in?
Tokyo Dub - Jerome Sydenham Special Edit by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Tokyo Dub - Jerome Sydenham Special Edit?
Tokyo Dub - Jerome Sydenham Special Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Tokyo Dub - Jerome Sydenham Special Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Tokyo Dub - Jerome Sydenham Special Edit good for peak time?
With energy 50 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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