Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix by Oliver Koletzki cover art

Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix

Oliver Koletzki

Key
10A · B minor
BPM
128
Open Key
3m
Energy
49/100
Pop
0/100
Length
6:11
Released
2006
Album
Da bleibt er ganz cool
Genre
Tech House
Loudness
-15.8 dB
ISRC
DEAA20500053

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 128 BPM in B minor (10A), Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix is a peak-time tempo tech house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Oliver Koletzki's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 96% of Oliver Koletzki's catalogue
Tempo:
faster than 93% of Oliver Koletzki's catalogue
Energy:
calmer than 91% of Oliver Koletzki's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood11Dark
Groove56
Acoustic2
Instrumental91
Live8
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix in?

Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix by Oliver Koletzki is in B minor, or 10A on the Camelot wheel.

What BPM is Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix?

Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Da Bleibt Er Ganz - DJ Silversurfer's Privatmosphere Mix good for peak time?

With energy 49 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Oliver Koletzki

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.