Stormy Weather (Instrumental)
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 43/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 2004
- Genre
- Deep House
- Loudness
- -13.6 dB
- Dynamics
- 13.3 dB
- ISRC
- DEZ650715394
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in A minor (8A), Stormy Weather (Instrumental) is a club-tempo deep house production. The feel is bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2004 production that still circulates in sets. More underground than 99% of Fritz Kalkbrenner's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- brighter than 95% of Fritz Kalkbrenner's catalogue
- Energy:
- calmer than 92% of Fritz Kalkbrenner's catalogue
- Groove:
- groovier than 92% of Fritz Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Stormy Weather (Instrumental) in?
Stormy Weather (Instrumental) by Fritz Kalkbrenner is in A minor, or 8A on the Camelot wheel.
What BPM is Stormy Weather (Instrumental)?
Stormy Weather (Instrumental) runs at 126 BPM, a club-tempo track.
What mixes well with Stormy Weather (Instrumental)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Stormy Weather (Instrumental) good for peak time?
With energy 43 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Fritz Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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