Again - Roger’s 12 Inch Mix
- BPM
- 126
- Open Key
- 3m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 9:30
- Released
- 2006
- Album
- Again
- Genre
- House
- Loudness
- -13.0 dB
- ISRC
- NLQ200700121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Again - Editversion10B · 126
- Again - DJ Dep Remixremix6A · 127
- Again - DJ Dep Instrumental Remixremix6A · 127
- Againoriginal10B · 126
- Again - Accapellaoriginal5A · 175
- Again - DaBo Remixremix11B · 127
A club-tempo house cut, Again - Roger’s 12 Inch Mix sits in B minor (10A) at 126 BPM. It reads as subdued and even. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Groovier than 99% of Roger Sanchez's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Energy:
- calmer than 97% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Again - Roger’s 12 Inch Mix in?
Again - Roger’s 12 Inch Mix by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Again - Roger’s 12 Inch Mix?
Again - Roger’s 12 Inch Mix runs at 126 BPM, a club-tempo track.
What mixes well with Again - Roger’s 12 Inch Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Again - Roger’s 12 Inch Mix good for peak time?
With energy 39 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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