Solos Tu y Yo - ZuluMafia Instrumental Mix
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 40/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2012
- Album
- Solos Tu y Yo Remixes
- Genre
- Deep House
- Loudness
- -17.5 dB
- ISRC
- USLZJ1261757
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solos Tu y Yo - Instrumental Mixoriginal10A · 125
- Solos Tu y Yo - Original Mixoriginal10A · 125
- Solos Tu y Yo - Justin Imperiale Remixremix10A · 125
- Solos Tu y Yo - Acapellaoriginal11B · 125
- Solos Tu y Yo - 4matiq's L2M Instrumental Mixoriginal3B · 125
- Solos Tu y Yo - 4matiq's L2M Mixoriginal10A · 125
Against the original (10A at 125 BPM), this version holds the same tempo and moves the key from 10A to 9A.
Solos Tu y Yo - ZuluMafia Instrumental Mix is a club-tempo deep house track in E minor (9A) at 125 BPM. The feel is subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Pablo Fierro's catalogue
- Tempo:
- faster than 78% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Solos Tu y Yo - ZuluMafia Instrumental Mix in?
Solos Tu y Yo - ZuluMafia Instrumental Mix by Pablo Fierro is in E minor, or 9A on the Camelot wheel.
What BPM is Solos Tu y Yo - ZuluMafia Instrumental Mix?
Solos Tu y Yo - ZuluMafia Instrumental Mix runs at 125 BPM, a club-tempo track.
What mixes well with Solos Tu y Yo - ZuluMafia Instrumental Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Solos Tu y Yo - ZuluMafia Instrumental Mix good for peak time?
With energy 40 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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