Solos Tu y Yo - Justin Imperiale Remix
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 54/100
- Pop
- 3/100
- Length
- 6:16
- Released
- 2012
- Album
- Solos Tu y Yo Remixes
- Genre
- Deep House
- Loudness
- -15.7 dB
- Dynamics
- 14.1 dB
- ISRC
- USLZJ1261754
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Solos Tu y Yo - Instrumental Mixoriginal10A · 125
- Solos Tu y Yo - Original Mixoriginal10A · 125
- Solos Tu y Yo - Acapellaoriginal11B · 125
- Solos Tu y Yo - 4matiq's L2M Instrumental Mixoriginal3B · 125
- Solos Tu y Yo - 4matiq's L2M Mixoriginal10A · 125
- Solos Tu y Yo - Apple Jazz Remixremix10A · 125
Against the original (10A at 125 BPM), this version holds the same tempo in the same key.
Solos Tu y Yo - Justin Imperiale Remix runs 125 BPM in B minor (10A), a club-tempo deep house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Brighter than 92% of Pablo Fierro's catalogue.
- Groove:
- less groove-driven than 87% of Pablo Fierro's catalogue
- Energy:
- calmer than 81% of Pablo Fierro's catalogue
- Tempo:
- faster than 78% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Solos Tu y Yo - Justin Imperiale Remix in?
Solos Tu y Yo - Justin Imperiale Remix by Pablo Fierro is in B minor, or 10A on the Camelot wheel.
What BPM is Solos Tu y Yo - Justin Imperiale Remix?
Solos Tu y Yo - Justin Imperiale Remix runs at 125 BPM, a club-tempo track.
What mixes well with Solos Tu y Yo - Justin Imperiale Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Solos Tu y Yo - Justin Imperiale Remix good for peak time?
With energy 54 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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