
You Are Here
- BPM
- 125
- Open Key
- 10d
- Energy
- 41/100
- Pop
- 3/100
- Length
- 5:06
- Released
- 2015
- Album
- Original Copy
- Genre
- House
- Loudness
- -11.5 dB
- ISRC
- ZAS6S1500012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Are Here: club-tempo house, E♭ major (5B), 125 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 93% of DJ Merlon's catalogue. In a set it works best as a warm-up or breakdown cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Are Here in?
You Are Here by DJ Merlon is in E♭ major, or 5B on the Camelot wheel.
What BPM is You Are Here?
You Are Here runs at 125 BPM, a club-tempo track.
What mixes well with You Are Here?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is You Are Here good for peak time?
With energy 41 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 125 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from DJ Merlon
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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