Halfjack by East End Dubs cover art

30s preview

Key
3B · D♭ major
BPM
125
Open Key
8d
Energy
44/100
Pop
2/100
Length
8:14
Released
2018
Album
ENDZ016
Genre
Minimal
Loudness
-14.9 dB
Dynamics
12.8 dB
ISRC
GBLV61806211

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Halfjack is a club-tempo minimal track in D♭ major (3B) at 125 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Calmer than 96% of East End Dubs's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 77% of East End Dubs's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy44
Mood50Balanced
Groove81
Acoustic1
Instrumental85
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Halfjack in?

Halfjack by East End Dubs is in D♭ major, or 3B on the Camelot wheel.

What BPM is Halfjack?

Halfjack runs at 125 BPM, a club-tempo track.

What mixes well with Halfjack?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Halfjack good for peak time?

With energy 44 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from East End Dubs

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.