Hypnotize by Solomun cover art

Hypnotize

Solomun

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
38/100
Pop
0/100
Length
6:43
Released
2009
Genre
Tech House
Loudness
-9.2 dB
Dynamics
10.6 dB
ISRC
DEDH70900028

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 125 BPM in B minor (10A), Hypnotize is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Groovier than 99% of Solomun's catalogue.

Reach:
more underground than 99% of Solomun's catalogue
Energy:
calmer than 97% of Solomun's catalogue
Low end:
more bass-heavy than 96% of Solomun's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood39Balanced
Groove89
Acoustic0
Instrumental83
Live10
Speech8
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Hypnotize in?

Hypnotize by Solomun is in B minor, or 10A on the Camelot wheel.

What BPM is Hypnotize?

Hypnotize runs at 125 BPM, a club-tempo track.

What mixes well with Hypnotize?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Hypnotize good for peak time?

With energy 38 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track