All I Have Is This Feeling - Full Vocal
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 35/100
- Pop
- 4/100
- Length
- 7:40
- Released
- 2007
- Album
- All I Have Is This Feeling & Je T'aime
- Genre
- Deep House
- Loudness
- -16.0 dB
- Dynamics
- 11.7 dB
- ISRC
- USJ5L0700016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All I Have Is This Feeling - Instrumentaloriginal3B · 126
At 126 BPM in F♯ minor (11A), All I Have Is This Feeling - Full Vocal is a club-tempo deep house production. Tonally it lands warm and mellow. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Calmer than 99% of Kerri Chandler's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 97% of Kerri Chandler's catalogue
- Low end:
- more bass-heavy than 76% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is All I Have Is This Feeling - Full Vocal in?
All I Have Is This Feeling - Full Vocal by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is All I Have Is This Feeling - Full Vocal?
All I Have Is This Feeling - Full Vocal runs at 126 BPM, a club-tempo track.
What mixes well with All I Have Is This Feeling - Full Vocal?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is All I Have Is This Feeling - Full Vocal good for peak time?
With energy 35 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.