Orchestrating Maneuvars In The Dark - Mike Monday Remix by Radio Slave cover art

Orchestrating Maneuvars In The Dark - Mike Monday Remix

Radio Slave

30s preview

Key
10A · B minor
BPM
126
Open Key
3m
Energy
40/100
Pop
0/100
Length
8:44
Released
2009
Album
Orchestrating Maneuvars In The Dark
Genre
Techno
Loudness
-12.7 dB
Dynamics
13.9 dB
ISRC
USOM80939002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 10A.

Orchestrating Maneuvars In The Dark - Mike Monday Remix runs 126 BPM in B minor (10A), a club-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 92% of Radio Slave's catalogue
Groove:
groovier than 91% of Radio Slave's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy40
Mood8Dark
Groove85
Acoustic0
Instrumental83
Live8
Speech27

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Orchestrating Maneuvars In The Dark - Mike Monday Remix in?

Orchestrating Maneuvars In The Dark - Mike Monday Remix by Radio Slave is in B minor, or 10A on the Camelot wheel.

What BPM is Orchestrating Maneuvars In The Dark - Mike Monday Remix?

Orchestrating Maneuvars In The Dark - Mike Monday Remix runs at 126 BPM, a club-tempo track.

What mixes well with Orchestrating Maneuvars In The Dark - Mike Monday Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Orchestrating Maneuvars In The Dark - Mike Monday Remix good for peak time?

With energy 40 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Radio Slave

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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