Orchestrating Maneuvars In The Dark - Original Mix
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 8:28
- Released
- 2009
- Album
- Orchestrating Maneuvars In The Dark
- Genre
- Techno
- Loudness
- -14.2 dB
- Dynamics
- 12.2 dB
- ISRC
- USOM80939001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Orchestrating Maneuvars In The Dark - Al Velilla's Beatsoriginal3B · 126
- Orchestrating Maneuvars In The Dark - Mike Monday Remixremix10A · 126
- Orchestrating Maneuvars In The Dark - Troxler & Crosson Remixremix9B · 126
Orchestrating Maneuvars In The Dark - Original Mix runs 126 BPM in F♯ minor (11A), a club-tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 91% of Radio Slave's catalogue
- Groove:
- groovier than 90% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Orchestrating Maneuvars In The Dark - Original Mix in?
Orchestrating Maneuvars In The Dark - Original Mix by Radio Slave is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Orchestrating Maneuvars In The Dark - Original Mix?
Orchestrating Maneuvars In The Dark - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Orchestrating Maneuvars In The Dark - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Orchestrating Maneuvars In The Dark - Original Mix good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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