Again - Accapella
30s preview
- Key
- 5A · C minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 10m
- Energy
- 13/100
- Pop
- 0/100
- Length
- 6:54
- Released
- 2006
- Album
- Again
- Genre
- House
- Loudness
- -17.7 dB
- Dynamics
- 19.2 dB
- ISRC
- NLQ200700123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Again - Editversion10B · 126
- Again - DJ Dep Remixremix6A · 127
- Again - DJ Dep Instrumental Remixremix6A · 127
- Againoriginal10B · 126
- Again - DaBo Remixremix11B · 127
- Again - DJ Antoine vs. Mad Mark Mixoriginal10B · 126
Again - Accapella runs 175 BPM in C minor (5A), a house record. Tonally it lands brooding and low-slung. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2006 production that still circulates in sets. Calmer than 99% of Roger Sanchez's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Tempo:
- faster than 98% of Roger Sanchez's catalogue
- Low end:
- more treble-tilted than 94% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Again - Accapella in?
Again - Accapella by Roger Sanchez is in C minor, or 5A on the Camelot wheel.
What BPM is Again - Accapella?
Again - Accapella runs at 175 BPM.
What mixes well with Again - Accapella?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Again - Accapella good for peak time?
With energy 13 out of 100 at 175 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 175 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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