Outgrown by Monolink cover art

Outgrown

Monolink

30s preview

Key
12A · D♭ minor
BPM
176
Half-time
88
Open Key
5m
Energy
43/100
Pop
48/100
Length
4:34
Released
2019
Genre
Deep House
Loudness
-12.6 dB
Dynamics
14.4 dB
ISRC
DETO31900270

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Outgrown runs 176 BPM in D♭ minor (12A), a deep house record. It reads as dark and steady. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 99% of Monolink's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 94% of Monolink's catalogue
Low end:
more treble-tilted than 86% of Monolink's catalogue
Energy:
calmer than 85% of Monolink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood35Balanced
Groove62
Acoustic60
Instrumental33
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Outgrown in?

Outgrown by Monolink is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Outgrown?

Outgrown runs at 176 BPM.

What mixes well with Outgrown?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Outgrown good for peak time?

With energy 43 out of 100 at 176 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 176 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 176 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Monolink

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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