Wookie Nookie
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 2:47
- Released
- 2010
- Genre
- Deep House
- Loudness
- -16.4 dB
- Dynamics
- 15.2 dB
- ISRC
- DEZ651213898
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A deep house cut, Wookie Nookie sits in B♭ minor (3A) at 172 BPM. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2010 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 97% of Theo Parrish's catalogue
- Brightness:
- brighter than 94% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Wookie Nookie in?
Wookie Nookie by Theo Parrish is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Wookie Nookie?
Wookie Nookie runs at 172 BPM.
What mixes well with Wookie Nookie?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Wookie Nookie good for peak time?
With energy 52 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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