Dance Of The Drunken Drums by Theo Parrish cover art

Dance Of The Drunken Drums

Theo Parrish

Key
3A · B♭ minor
BPM
173
Half-time
87
Open Key
8m
Energy
61/100
Pop
1/100
Length
9:13
Released
1999
Album
Overyohead / Dance Of The Drunken Drums
Genre
Deep House
Loudness
-13.2 dB
ISRC
USLZJ2551372

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Dance Of The Drunken Drums: deep house, B♭ minor (3A), 173 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1999 production that still circulates in sets. Faster than 98% of Theo Parrish's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
less groove-driven than 96% of Theo Parrish's catalogue
Brightness:
brighter than 93% of Theo Parrish's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood75Bright
Groove45
Acoustic50
Instrumental95
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Dance Of The Drunken Drums in?

Dance Of The Drunken Drums by Theo Parrish is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Dance Of The Drunken Drums?

Dance Of The Drunken Drums runs at 173 BPM.

What mixes well with Dance Of The Drunken Drums?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Dance Of The Drunken Drums good for peak time?

With energy 61 out of 100 at 173 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 173 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Theo Parrish

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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