Fizzy Riddim by MJ Cole cover art

Fizzy Riddim

MJ Cole

30s preview

Key
3A · B♭ minor
BPM
175
Half-time
88
Open Key
8m
Energy
27/100
Pop
0/100
Length
3:17
Released
2011
Genre
Uk Garage
Loudness
-12.9 dB
Dynamics
13.6 dB
ISRC
GBPAB1111535

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

An uk garage cut, Fizzy Riddim sits in B♭ minor (3A) at 175 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. Faster than 99% of MJ Cole's catalogue.

Reach:
more underground than 99% of MJ Cole's catalogue
Energy:
calmer than 92% of MJ Cole's catalogue
Groove:
less groove-driven than 90% of MJ Cole's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy27
Mood31Dark
Groove44
Acoustic58
Instrumental3
Live9
Speech15

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Fizzy Riddim in?

Fizzy Riddim by MJ Cole is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Fizzy Riddim?

Fizzy Riddim runs at 175 BPM.

What mixes well with Fizzy Riddim?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Fizzy Riddim good for peak time?

With energy 27 out of 100 at 175 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 175 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from MJ Cole

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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