Sincere (Re-Cued)
- Key
- 4A · F minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 9m
- Energy
- 72/100
- Pop
- 28/100
- Length
- 5:56
- Released
- 1998
- Genre
- Uk Garage
- Loudness
- -7.6 dB
- ISRC
- GBPAB1011516
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sincere (Re-Cued) is a driving up-tempo uk garage track in F minor (4A) at 140 BPM. Tonally it lands dark and driving. A 1998 production that still circulates in sets. Better known than 93% of MJ Cole's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 90% of MJ Cole's catalogue
- Brightness:
- darker than 81% of MJ Cole's catalogue
- Groove:
- less groove-driven than 77% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sincere (Re-Cued) in?
Sincere (Re-Cued) by MJ Cole is in F minor, or 4A on the Camelot wheel.
What BPM is Sincere (Re-Cued)?
Sincere (Re-Cued) runs at 140 BPM, a driving up-tempo track.
What mixes well with Sincere (Re-Cued)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Sincere (Re-Cued) good for peak time?
With energy 72 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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