Searching by Todd Edwards cover art

Searching

Todd Edwards

Key
8A · A minor
BPM
84
Double-time
168
Open Key
1m
Energy
40/100
Pop
1/100
Length
6:27
Released
2012
Genre
Uk Garage
Loudness
-11.8 dB
ISRC
USYBL1200523

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Searching runs 84 BPM in A minor (8A), a downtempo uk garage record. The feel is warm and mellow. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Slower than 98% of Todd Edwards's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
less groove-driven than 98% of Todd Edwards's catalogue
Energy:
calmer than 96% of Todd Edwards's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy40
Mood89Bright
Groove51
Acoustic1
Instrumental21
Live5
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Searching in?

Searching by Todd Edwards is in A minor, or 8A on the Camelot wheel.

What BPM is Searching?

Searching runs at 84 BPM, a downtempo track.

What mixes well with Searching?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Searching good for peak time?

With energy 40 out of 100 at 84 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 84 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 84 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Todd Edwards

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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