Same Old Room Same Old Peanuts
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8m
- Energy
- 41/100
- Pop
- 0/100
- Length
- 7:46
- Released
- 2019
- Album
- Ghosts
- Genre
- Downtempo
- Loudness
- -13.5 dB
- Dynamics
- 12.9 dB
- ISRC
- DEH741918952
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Same Old Room Same Old Peanuts is a downtempo track in B♭ minor (3A) at 172 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Landhouse's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 93% of Landhouse's catalogue
- Groove:
- less groove-driven than 84% of Landhouse's catalogue
- Brightness:
- darker than 78% of Landhouse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Same Old Room Same Old Peanuts in?
Same Old Room Same Old Peanuts by Landhouse is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Same Old Room Same Old Peanuts?
Same Old Room Same Old Peanuts runs at 172 BPM.
What mixes well with Same Old Room Same Old Peanuts?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Same Old Room Same Old Peanuts good for peak time?
With energy 41 out of 100 at 172 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More downtempo
More from Landhouse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
