The Writing of Fragments of Time
30s preview
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 41/100
- Pop
- 26/100
- Length
- 8:17
- Released
- 2023
- Genre
- Uk Garage
- Loudness
- -12.3 dB
- Dynamics
- 15.5 dB
- ISRC
- GBDUW2300070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Writing of Fragments of Time is a peak-time tempo uk garage track in C major (8B) at 130 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 96% of Todd Edwards's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- better known than 96% of Todd Edwards's catalogue
- Groove:
- groovier than 90% of Todd Edwards's catalogue
- Brightness:
- darker than 80% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Writing of Fragments of Time in?
The Writing of Fragments of Time by Todd Edwards is in C major, or 8B on the Camelot wheel.
What BPM is The Writing of Fragments of Time?
The Writing of Fragments of Time runs at 130 BPM, a peak-time tempo track.
What mixes well with The Writing of Fragments of Time?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Writing of Fragments of Time good for peak time?
With energy 41 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.