Special - Only DV Can Break The Dub Part 2
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 47/100
- Pop
- 1/100
- Length
- 5:57
- Released
- 2007
- Album
- Special
- Genre
- House
- Loudness
- -10.7 dB
- Dynamics
- 21.1 dB
- ISRC
- GBKQU1922049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Special - Soothing Sara Mixoriginal9B · 128
- Special - Only DV Can Break The Dub Part 1version3A · 128
Against the original (9B at 128 BPM), this version holds the same tempo and moves the key from 9B to 6B.
A peak-time tempo house cut, Special - Only DV Can Break The Dub Part 2 sits in B♭ major (6B) at 128 BPM. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2007 production that still circulates in sets. More treble-tilted than 99% of Louie Vega's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 96% of Louie Vega's catalogue
- Tempo:
- faster than 95% of Louie Vega's catalogue
- Brightness:
- brighter than 92% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 24%
- High
- 2.5-11 kHz
FAQ
What key is Special - Only DV Can Break The Dub Part 2 in?
Special - Only DV Can Break The Dub Part 2 by Louie Vega is in B♭ major, or 6B on the Camelot wheel.
What BPM is Special - Only DV Can Break The Dub Part 2?
Special - Only DV Can Break The Dub Part 2 runs at 128 BPM, a peak-time tempo track.
What mixes well with Special - Only DV Can Break The Dub Part 2?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Special - Only DV Can Break The Dub Part 2 good for peak time?
With energy 47 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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