The Dark (feat. Bklava) - Extended Version by Bklava cover art

The Dark (feat. Bklava) - Extended Version

Bklava

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
51/100
Pop
11/100
Length
5:20
Released
2022
Album
The Dark (feat. Bklava) [Extended Version]
Genre
House
Loudness
-11.8 dB
Dynamics
11.2 dB
ISRC
GBAYE2200015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 128 BPM), this version holds the same tempo in the same key.

At 128 BPM in B♭ minor (3A), The Dark (feat. Bklava) - Extended Version is a peak-time tempo house production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Calmer than 95% of Bklava's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 95% of Bklava's catalogue
Tempo:
slower than 94% of Bklava's catalogue
Brightness:
darker than 77% of Bklava's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood39Balanced
Groove75
Acoustic11
Instrumental77
Live18
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is The Dark (feat. Bklava) - Extended Version in?

The Dark (feat. Bklava) - Extended Version by Bklava is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Dark (feat. Bklava) - Extended Version?

The Dark (feat. Bklava) - Extended Version runs at 128 BPM, a peak-time tempo track.

What mixes well with The Dark (feat. Bklava) - Extended Version?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Dark (feat. Bklava) - Extended Version good for peak time?

With energy 51 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Bklava

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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