Take Time - Radio Edit by Bklava cover art

Take Time - Radio Edit

Bklava

30s preview

Key
9A · E minor
BPM
129
Open Key
2m
Energy
54/100
Pop
0/100
Length
3:01
Released
2020
Album
Take Time
Genre
House
Loudness
-6.6 dB
Dynamics
11.3 dB
ISRC
UKVD22000012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo house cut, Take Time - Radio Edit sits in E minor (9A) at 129 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Bklava's catalogue.

Energy:
calmer than 90% of Bklava's catalogue
Tempo:
slower than 79% of Bklava's catalogue
Brightness:
brighter than 76% of Bklava's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood75Bright
Groove78
Acoustic8
Instrumental0
Live8
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Take Time - Radio Edit in?

Take Time - Radio Edit by Bklava is in E minor, or 9A on the Camelot wheel.

What BPM is Take Time - Radio Edit?

Take Time - Radio Edit runs at 129 BPM, a peak-time tempo track.

What mixes well with Take Time - Radio Edit?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Take Time - Radio Edit good for peak time?

With energy 54 out of 100 at 129 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 129 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Bklava

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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