On Your Own (main mix)
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 58/100
- Pop
- 0/100
- Length
- 6:19
- Released
- 2007
- Genre
- Uk Garage
- Loudness
- -6.2 dB
- Dynamics
- 10.3 dB
- ISRC
- GBCPZ0719593
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
On Your Own (main mix) is a peak-time tempo uk garage track in E minor (9A) at 130 BPM. The feel is bright and easy. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 94% of Todd Edwards's catalogue
- Brightness:
- brighter than 92% of Todd Edwards's catalogue
- Energy:
- calmer than 84% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is On Your Own (main mix) in?
On Your Own (main mix) by Todd Edwards is in E minor, or 9A on the Camelot wheel.
What BPM is On Your Own (main mix)?
On Your Own (main mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with On Your Own (main mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is On Your Own (main mix) good for peak time?
With energy 58 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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