Stop the Fighting
- Key
- 9B · G major
- BPM
- 131
- Open Key
- 2d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2003
- Genre
- Uk Garage
- Loudness
- -8.3 dB
- ISRC
- GBCPZ0318285
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stop the Fighting is a peak-time tempo uk garage track in G major (9B) at 131 BPM. The feel is bright and easy. The mix is almost entirely instrumental. A 2003 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue.
- Energy:
- calmer than 93% of Todd Edwards's catalogue
- Groove:
- groovier than 93% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop the Fighting in?
Stop the Fighting by Todd Edwards is in G major, or 9B on the Camelot wheel.
What BPM is Stop the Fighting?
Stop the Fighting runs at 131 BPM, a peak-time tempo track.
What mixes well with Stop the Fighting?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Stop the Fighting good for peak time?
With energy 48 out of 100 at 131 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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