Space Rider - MJ Cole Instrumental
30s preview
- BPM
- 133
- Open Key
- 11d
- Energy
- 45/100
- Pop
- 1/100
- Length
- 5:13
- Released
- 2003
- Album
- Oyster Music - The MJ Cole Mixes
- Genre
- Uk Garage
- Loudness
- -9.3 dB
- Dynamics
- 14.5 dB
- ISRC
- GBCYJ0000026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Space Rider - MJ Cole Vocal Mixoriginal6A · 133
- Space Rider - MJ Cole Vocal Editversion6A · 133
Against the original (6A at 133 BPM), this version holds the same tempo and moves the key from 6A to 6B.
Space Rider - MJ Cole Instrumental runs 133 BPM in B♭ major (6B), a peak-time tempo uk garage record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2003 production that still circulates in sets. Groovier than 93% of MJ Cole's catalogue.
- Brightness:
- brighter than 92% of MJ Cole's catalogue
- Energy:
- calmer than 80% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Space Rider - MJ Cole Instrumental in?
Space Rider - MJ Cole Instrumental by MJ Cole is in B♭ major, or 6B on the Camelot wheel.
What BPM is Space Rider - MJ Cole Instrumental?
Space Rider - MJ Cole Instrumental runs at 133 BPM, a peak-time tempo track.
What mixes well with Space Rider - MJ Cole Instrumental?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Space Rider - MJ Cole Instrumental good for peak time?
With energy 45 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 133 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More uk garage
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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