If You Want
- BPM
- 132
- Open Key
- 3m
- Energy
- 53/100
- Pop
- 2/100
- Length
- 6:18
- Released
- 2012
- Genre
- Uk Garage
- Loudness
- -10.3 dB
- ISRC
- USYBL1200524
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
If You Want: peak-time tempo uk garage, B minor (10A), 132 BPM. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Calmer than 89% of Todd Edwards's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is If You Want in?
If You Want by Todd Edwards is in B minor, or 10A on the Camelot wheel.
What BPM is If You Want?
If You Want runs at 132 BPM, a peak-time tempo track.
What mixes well with If You Want?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is If You Want good for peak time?
With energy 53 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.