Thank You
30s preview
- BPM
- 132
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 5/100
- Length
- 3:55
- Released
- 2003
- Genre
- Uk Garage
- Loudness
- -5.6 dB
- Dynamics
- 17.2 dB
- ISRC
- GBCPZ2322424
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Thank You: peak-time tempo uk garage, F♯ minor (11A), 132 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 17 dB). A 2003 production that still circulates in sets. More treble-tilted than 98% of Todd Edwards's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 85% of Todd Edwards's catalogue
- Reach:
- better known than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Thank You in?
Thank You by Todd Edwards is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Thank You?
Thank You runs at 132 BPM, a peak-time tempo track.
What mixes well with Thank You?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Thank You good for peak time?
With energy 67 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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