The Prayer (instrumental mix)
30s preview
- Key
- 6A · G minor
- BPM
- 132
- Open Key
- 11m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:22
- Released
- 2004
- Genre
- Uk Garage
- Loudness
- -6.3 dB
- Dynamics
- 10.5 dB
- ISRC
- GBCPZ0418019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Prayer (instrumental mix): peak-time tempo uk garage, G minor (6A), 132 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2004 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue.
- Brightness:
- brighter than 90% of Todd Edwards's catalogue
- Low end:
- more treble-tilted than 85% of Todd Edwards's catalogue
- Groove:
- groovier than 78% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Prayer (instrumental mix) in?
The Prayer (instrumental mix) by Todd Edwards is in G minor, or 6A on the Camelot wheel.
What BPM is The Prayer (instrumental mix)?
The Prayer (instrumental mix) runs at 132 BPM, a peak-time tempo track.
What mixes well with The Prayer (instrumental mix)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is The Prayer (instrumental mix) good for peak time?
With energy 73 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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