Winter Behaviour 2004 - Dub Mix by Todd Edwards cover art

Winter Behaviour 2004 - Dub Mix

Todd Edwards

Key
10A · B minor
BPM
132
Open Key
3m
Energy
78/100
Pop
0/100
Length
6:22
Released
2004
Album
Winter Behaviour 2004
Genre
Uk Garage
Loudness
-7.0 dB
ISRC
GBCPZ0418282

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 132 BPM), this version holds the same tempo in the same key.

Winter Behaviour 2004 - Dub Mix runs 132 BPM in B minor (10A), a peak-time tempo uk garage record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2004 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood70Bright
Groove88
Acoustic0
Instrumental90
Live8
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Winter Behaviour 2004 - Dub Mix in?

Winter Behaviour 2004 - Dub Mix by Todd Edwards is in B minor, or 10A on the Camelot wheel.

What BPM is Winter Behaviour 2004 - Dub Mix?

Winter Behaviour 2004 - Dub Mix runs at 132 BPM, a peak-time tempo track.

What mixes well with Winter Behaviour 2004 - Dub Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Winter Behaviour 2004 - Dub Mix good for peak time?

With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Todd Edwards

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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