Hold on to Me
- BPM
- 132
- Open Key
- 7d
- Energy
- 76/100
- Pop
- 13/100
- Length
- 6:10
- Released
- 2000
- Genre
- Uk Garage
- Loudness
- -10.9 dB
- ISRC
- GBF080000341
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hold on to Me is a peak-time tempo uk garage track in F♯ major (2B) at 132 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. Groovier than 90% of MJ Cole's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 87% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hold on to Me in?
Hold on to Me by MJ Cole is in F♯ major, or 2B on the Camelot wheel.
What BPM is Hold on to Me?
Hold on to Me runs at 132 BPM, a peak-time tempo track.
What mixes well with Hold on to Me?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Hold on to Me good for peak time?
With energy 76 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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