Waking Up - VIP Extended Mix
30s preview
- BPM
- 132
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 11/100
- Length
- 5:07
- Released
- 2019
- Album
- Waking Up (VIP Extended Mix)
- Genre
- Uk Garage
- Loudness
- -6.3 dB
- Dynamics
- 12.3 dB
- ISRC
- GBCEN1900005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waking Uporiginal10A · 128
Against the original (10A at 128 BPM), this version runs 4 BPM faster in the same key.
Waking Up - VIP Extended Mix is a peak-time tempo uk garage track in B minor (10A) at 132 BPM. It reads as dark and driving. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 82% of MJ Cole's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 76% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Waking Up - VIP Extended Mix in?
Waking Up - VIP Extended Mix by MJ Cole is in B minor, or 10A on the Camelot wheel.
What BPM is Waking Up - VIP Extended Mix?
Waking Up - VIP Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Waking Up - VIP Extended Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Waking Up - VIP Extended Mix good for peak time?
With energy 79 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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