It'll Be Alright by Zed Bias cover art

It'll Be Alright

Zed Bias

30s preview

Key
7A · D minor
BPM
132
Open Key
12m
Energy
77/100
Pop
6/100
Length
3:43
Released
2025
Genre
Uk Garage
Loudness
-8.2 dB
Dynamics
9.7 dB
ISRC
TCAJZ2593455

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

It'll Be Alright: peak-time tempo uk garage, D minor (7A), 132 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 91% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 86% of Zed Bias's catalogue
Reach:
better known than 84% of Zed Bias's catalogue
Low end:
more bass-heavy than 83% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood14Dark
Groove60
Acoustic24
Instrumental21
Live10
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is It'll Be Alright in?

It'll Be Alright by Zed Bias is in D minor, or 7A on the Camelot wheel.

What BPM is It'll Be Alright?

It'll Be Alright runs at 132 BPM, a peak-time tempo track.

What mixes well with It'll Be Alright?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is It'll Be Alright good for peak time?

With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 132 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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