15 Minutes (feat. Damon Trueitt)
- Key
- 6A · G minor
- BPM
- 132
- Open Key
- 11m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 5:43
- Released
- 2007
- Genre
- Uk Garage
- Loudness
- -5.5 dB
- ISRC
- GBCPZ0817855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
15 Minutes (feat. Damon Trueitt): peak-time tempo uk garage, G minor (6A), 132 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2007 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 96% of Todd Edwards's catalogue
- Groove:
- groovier than 91% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 15 Minutes (feat. Damon Trueitt) in?
15 Minutes (feat. Damon Trueitt) by Todd Edwards is in G minor, or 6A on the Camelot wheel.
What BPM is 15 Minutes (feat. Damon Trueitt)?
15 Minutes (feat. Damon Trueitt) runs at 132 BPM, a peak-time tempo track.
What mixes well with 15 Minutes (feat. Damon Trueitt)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is 15 Minutes (feat. Damon Trueitt) good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.