Every Day
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 70/100
- Pop
- 1/100
- Length
- 6:04
- Released
- 1999
- Genre
- Uk Garage
- Loudness
- -8.7 dB
- Dynamics
- 8.8 dB
- ISRC
- GBCPZ9918010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Every Day: peak-time tempo uk garage, C major (8B), 132 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1999 production that still circulates in sets. More bass-heavy than 89% of Todd Edwards's catalogue.
- Groove:
- groovier than 84% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Every Day in?
Every Day by Todd Edwards is in C major, or 8B on the Camelot wheel.
What BPM is Every Day?
Every Day runs at 132 BPM, a peak-time tempo track.
What mixes well with Every Day?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Every Day good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.