Phoneline feat. Rosco Trim (Maddslinky Remix)
30s preview
- Key
- 9B · G major
- BPM
- 131
- Open Key
- 2d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 4:34
- Released
- 2011
- Album
- Fairplay / Phoneline
- Genre
- Uk Garage
- Loudness
- -10.9 dB
- Dynamics
- 18.1 dB
- ISRC
- GBEUE1002274
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Phoneline feat. Rosco Trim (A capella)original9B · 125
- Phoneline feat. Rosco Trim (Album Instrumental)original10A · 125
- Phoneline feat. Rosco Trim (Maddslinky Instrumental Remix)remix10B · 131
Against the original (9B at 125 BPM), this version runs 6 BPM faster in the same key.
Phoneline feat. Rosco Trim (Maddslinky Remix): peak-time tempo uk garage, G major (9B), 131 BPM. Tonally it lands punchy, neutral in mood. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2011 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 92% of Zed Bias's catalogue
- Groove:
- less groove-driven than 76% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Phoneline feat. Rosco Trim (Maddslinky Remix) in?
Phoneline feat. Rosco Trim (Maddslinky Remix) by Zed Bias is in G major, or 9B on the Camelot wheel.
What BPM is Phoneline feat. Rosco Trim (Maddslinky Remix)?
Phoneline feat. Rosco Trim (Maddslinky Remix) runs at 131 BPM, a peak-time tempo track.
What mixes well with Phoneline feat. Rosco Trim (Maddslinky Remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Phoneline feat. Rosco Trim (Maddslinky Remix) good for peak time?
With energy 70 out of 100 at 131 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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