You Mean The World To Me (MJ Cole Remix)
30s preview
- BPM
- 130
- Open Key
- 9d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:02
- Released
- 2019
- Album
- You Mean the World to Me (MJ Cole Remix)
- Genre
- Uk Garage
- Loudness
- -7.1 dB
- Dynamics
- 11.2 dB
- ISRC
- UK8E21900304
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Mean The World To Me (MJ Cole Remix) runs 130 BPM in A♭ major (4B), a peak-time tempo uk garage record. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of MJ Cole's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 75% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is You Mean The World To Me (MJ Cole Remix) in?
You Mean The World To Me (MJ Cole Remix) by MJ Cole is in A♭ major, or 4B on the Camelot wheel.
What BPM is You Mean The World To Me (MJ Cole Remix)?
You Mean The World To Me (MJ Cole Remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with You Mean The World To Me (MJ Cole Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is You Mean The World To Me (MJ Cole Remix) good for peak time?
With energy 68 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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