Calling, Pt. 2 (Radio Edit)
- BPM
- 65
- Double-time
- 130
- Open Key
- 8d
- Energy
- 73/100
- Pop
- 1/100
- Length
- 2:21
- Released
- 2025
- Album
- Calling, Pt. 2
- Genre
- Uk Garage
- Loudness
- -5.2 dB
- ISRC
- TCAJQ2543832
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Calling, Pt. 2original2B · 67
Against the original (2B at 67 BPM), this version runs 2 BPM slower and moves the key from 2B to 3B.
Calling, Pt. 2 (Radio Edit) runs 65 BPM in D♭ major (3B), an uk garage record. The feel is bright and euphoric. It is vocal-led. Spoken-word passages run through it. Slower than 99% of Zed Bias's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 82% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Calling, Pt. 2 (Radio Edit) in?
Calling, Pt. 2 (Radio Edit) by Zed Bias is in D♭ major, or 3B on the Camelot wheel.
What BPM is Calling, Pt. 2 (Radio Edit)?
Calling, Pt. 2 (Radio Edit) runs at 65 BPM.
What mixes well with Calling, Pt. 2 (Radio Edit)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Calling, Pt. 2 (Radio Edit) good for peak time?
With energy 73 out of 100 at 65 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 65 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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