Nobody
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 72/100
- Pop
- 5/100
- Length
- 5:32
- Released
- 2020
- Genre
- Uk Garage
- Loudness
- -10.7 dB
- Dynamics
- 13.6 dB
- ISRC
- UKN6K1904573
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nobody runs 130 BPM in F♯ minor (11A), a peak-time tempo uk garage record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More bass-heavy than 89% of Interplanetary Criminal's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 88% of Interplanetary Criminal's catalogue
- Tempo:
- slower than 87% of Interplanetary Criminal's catalogue
- Energy:
- calmer than 85% of Interplanetary Criminal's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Nobody in?
Nobody by Interplanetary Criminal is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Nobody?
Nobody runs at 130 BPM, a peak-time tempo track.
What mixes well with Nobody?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Nobody good for peak time?
With energy 72 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from Interplanetary Criminal
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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