
Manchester
30s preview
- BPM
- 138
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 38/100
- Length
- 5:25
- Released
- 2024
- Genre
- Uk Garage
- Loudness
- -6.0 dB
- Dynamics
- 9.1 dB
- ISRC
- QM7282441762
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in B minor (10A), Manchester is a driving up-tempo uk garage production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 87% of Interplanetary Criminal's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 83% of Interplanetary Criminal's catalogue
- Low end:
- more bass-heavy than 83% of Interplanetary Criminal's catalogue
- Brightness:
- brighter than 82% of Interplanetary Criminal's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Manchester in?
Manchester by Interplanetary Criminal is in B minor, or 10A on the Camelot wheel.
What BPM is Manchester?
Manchester runs at 138 BPM, a driving up-tempo track.
What mixes well with Manchester?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Manchester good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More uk garage
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Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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