Manchester by Interplanetary Criminal cover art

30s preview

Key
10A · B minor
BPM
138
Open Key
3m
Energy
94/100
Pop
38/100
Length
5:25
Released
2024
Genre
Uk Garage
Loudness
-6.0 dB
Dynamics
9.1 dB
ISRC
QM7282441762

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in B minor (10A), Manchester is a driving up-tempo uk garage production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 87% of Interplanetary Criminal's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 83% of Interplanetary Criminal's catalogue
Low end:
more bass-heavy than 83% of Interplanetary Criminal's catalogue
Brightness:
brighter than 82% of Interplanetary Criminal's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood81Bright
Groove77
Acoustic0
Instrumental87
Live39
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Manchester in?

Manchester by Interplanetary Criminal is in B minor, or 10A on the Camelot wheel.

What BPM is Manchester?

Manchester runs at 138 BPM, a driving up-tempo track.

What mixes well with Manchester?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Manchester good for peak time?

With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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