I Couldn't See - Soul Mass Transit System Remix
30s preview
- BPM
- 137
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 8/100
- Length
- 4:48
- Released
- 2023
- Album
- I Couldn't See (Soul Mass Transit System Remix)
- Genre
- Uk Garage
- Loudness
- -6.1 dB
- Dynamics
- 16.5 dB
- ISRC
- UKW3K2300005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo uk garage cut, I Couldn't See - Soul Mass Transit System Remix sits in D♭ major (3B) at 137 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 17 dB). Groovier than 93% of Soul Mass Transit System's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 91% of Soul Mass Transit System's catalogue
- Brightness:
- brighter than 79% of Soul Mass Transit System's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Couldn't See - Soul Mass Transit System Remix in?
I Couldn't See - Soul Mass Transit System Remix by Soul Mass Transit System is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Couldn't See - Soul Mass Transit System Remix?
I Couldn't See - Soul Mass Transit System Remix runs at 137 BPM, a driving up-tempo track.
What mixes well with I Couldn't See - Soul Mass Transit System Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Couldn't See - Soul Mass Transit System Remix good for peak time?
With energy 94 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 137 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More uk garage
More from Soul Mass Transit System
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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