This That by Main Phase cover art

This That

Main Phase

30s preview

Key
3B · D♭ major
BPM
138
Open Key
8d
Energy
89/100
Pop
21/100
Length
5:04
Released
2023
Genre
Uk Garage
Loudness
-12.0 dB
Dynamics
9.8 dB
ISRC
GBKQU2375624

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

This That: driving up-tempo uk garage, D♭ major (3B), 138 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 92% of Main Phase's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 90% of Main Phase's catalogue
Brightness:
brighter than 86% of Main Phase's catalogue
Tempo:
faster than 79% of Main Phase's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood79Bright
Groove88
Acoustic0
Instrumental73
Live19
Speech28

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is This That in?

This That by Main Phase is in D♭ major, or 3B on the Camelot wheel.

What BPM is This That?

This That runs at 138 BPM, a driving up-tempo track.

What mixes well with This That?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is This That good for peak time?

With energy 89 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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