What about the DJ?
30s preview
- BPM
- 138
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 11/100
- Length
- 4:16
- Released
- 2023
- Genre
- Uk Garage
- Loudness
- -4.3 dB
- Dynamics
- 11.9 dB
- ISRC
- US38Y2308535
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
What about the DJ?: driving up-tempo uk garage, B minor (10A), 138 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 93% of Silva Bumpa's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 86% of Silva Bumpa's catalogue
- Low end:
- more treble-tilted than 80% of Silva Bumpa's catalogue
- Groove:
- groovier than 79% of Silva Bumpa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is What about the DJ? in?
What about the DJ? by Silva Bumpa is in B minor, or 10A on the Camelot wheel.
What BPM is What about the DJ??
What about the DJ? runs at 138 BPM, a driving up-tempo track.
What mixes well with What about the DJ??
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is What about the DJ? good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More uk garage
More from Silva Bumpa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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