Original Danger
30s preview
- Key
- 4A · F minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 9m
- Energy
- 100/100
- Pop
- 24/100
- Length
- 7:20
- Released
- 2024
- Genre
- Uk Garage
- Loudness
- -5.5 dB
- Dynamics
- 12.8 dB
- ISRC
- UKW3Z2405022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo uk garage cut, Original Danger sits in F minor (4A) at 140 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 96% of Soul Mass Transit System's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Soul Mass Transit System's catalogue
- Tempo:
- faster than 89% of Soul Mass Transit System's catalogue
- Brightness:
- brighter than 88% of Soul Mass Transit System's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Original Danger in?
Original Danger by Soul Mass Transit System is in F minor, or 4A on the Camelot wheel.
What BPM is Original Danger?
Original Danger runs at 140 BPM, a driving up-tempo track.
What mixes well with Original Danger?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Original Danger good for peak time?
With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More uk garage
More from Soul Mass Transit System
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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