Until the AM
- BPM
- 142
- Half-time
- 71
- Open Key
- 8d
- Energy
- 93/100
- Pop
- 22/100
- Length
- 5:25
- Released
- 2024
- Genre
- Uk Garage
- Loudness
- -6.1 dB
- ISRC
- QMDA62485037
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Until the AM: driving up-tempo uk garage, D♭ major (3B), 142 BPM. It is vocal-led. Faster than 95% of Main Phase's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 94% of Main Phase's catalogue
- Energy:
- hotter than 88% of Main Phase's catalogue
- Reach:
- better known than 76% of Main Phase's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Until the AM in?
Until the AM by Main Phase is in D♭ major, or 3B on the Camelot wheel.
What BPM is Until the AM?
Until the AM runs at 142 BPM, a driving up-tempo track.
What mixes well with Until the AM?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Until the AM good for peak time?
With energy 93 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 142 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More uk garage
More from Main Phase
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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