Be The Only by Interplanetary Criminal cover art
Key
9B · G major
BPM
145
Half-time
73
Open Key
2d
Energy
82/100
Pop
49/100
Length
3:30
Released
2024
Genre
Uk Garage
Loudness
-5.3 dB
ISRC
USA2P2468404

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Be The Only is a driving up-tempo uk garage track in G major (9B) at 145 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Faster than 98% of Interplanetary Criminal's catalogue. For programming, treat it as a high-intensity peak cut.

Reach:
better known than 95% of Interplanetary Criminal's catalogue
Groove:
less groove-driven than 93% of Interplanetary Criminal's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood44Balanced
Groove64
Acoustic0
Instrumental0
Live32
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Be The Only in?

Be The Only by Interplanetary Criminal is in G major, or 9B on the Camelot wheel.

What BPM is Be The Only?

Be The Only runs at 145 BPM, a driving up-tempo track.

What mixes well with Be The Only?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Be The Only good for peak time?

With energy 82 out of 100 at 145 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 145 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Interplanetary Criminal

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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